Monday, 4 October 2010

Hiroshi Yoshida



One of the great Japanese woodblock artists, Hiroshi Yoshida (1876-1950) was especially noted for his exquisitely detailed, evocative prints of landscapes around the world. His work is beautiful, subtle and often atmospheric, displaying a real mastery of his technique, which allowed him to capture the subtleties of light and form. Yoshida often reused the same woodblocks, varying the colours and saturation to suggest alternate moods of the same scene – a different time of day, or even different weather conditions.

Initially trained as a painter (of some renown), Yoshida began working with woodblocks in the early 1920s, and after a meeting with the owner of the Watanabe Print Store in Tokyo he had his first series of prints published. The woodblock technique is notoriously time-consuming and difficult, but Yoshida seemed able to capture the most delicate graduations of colour and the tiniest details in a temple fa├žade or mountain face.

Yoshida was a keen traveller and visited numerous countries from the early 1900s onwards - his cosmopolitan attitude is reflected in the landscapes and studies he created in countries like India and America. The traditional Japanese techniques in his work applied to a changing foreign world at the beginning of the 20th Century make for some fascinating, unexpected images, which sit comfortably alongside his more elegiac landscapes. Whilst the world has changed almost immeasurably in the 50 or so years since Yoshida died, when viewed today, well-kept examples of his woodblocks still have a real vibrancy and warmth to them.

Yoshida died in 1950 but his two sons Toshi and Hodaka both became respected woodblock artists in their own right, carrying on the family tradtion. In fact, since the mid-1800s the same Yoshida family - Hiroshi's forebears - has produced eight artists of serious renown – a veritable woodblock dynasty.


Boat in dry dock, Kinoe


Grand Canyon (Bright Variant), 1925


The Cherry Tree In Kawagoe, 1935


Obatan Parrot II, 1926


Yarigate, date unknown


Yomei Gate, 1937


Taj Mahal, 1931


Taj Mahal, Night, 1931


Snake Charmers, 1932


Sketch of a Tiger, 1926


Kinkaku, 1933


Kameido Bridge, 1927


Iris Garden In Horikiri, 1928


Obatan Parrot, 1926


Icho In Autumn, 1926


Udaipur 1931


Early Morning, Fujiyama, 1928


Elephant, 1931


Eboshidake, 1926


Cryptomeria Avenue, 1937


Climbing Snow Valley, 1926


Cave Temple In Ellora, 1932


Breithorn, date unknown



Avenue Of Cherry Trees, 1935


Konoshima, 1935




All images © Estate of Hiroshi Yoshida







No comments:

Post a Comment